Here's more on what folks think of the DCO-106

Such a beautiful elegant interface and such amazing accessibility and immediate functionality, just like my old Juno-106! And that glorious sound..! I love the authenticity of DCO-106's legendary Roland chorus. Just like the original hardware, it is so easy to immediately carve, sculpt or create a sound you''re looking for.

Phil Bennett Keyboard player, Starship

Within the first few minutes of using this synth, it was clearly not only my favorite Juno emu, but also an instant standout in my entire collection of virtual analogues. The sound quality is fantastic, convincing and inspiring even with all fx turned off. But the iconic Juno chorus is there too, with the addition of a very useful stereo width knob. It’s this kind of attention to detail, the elegant balance between staying true to the original when it matters, while making sensible additions in a way that feels natural and intuitive, which is present throughout. The UI is wonderful, easy to see everything, top notch. MIDI Learn is a snap too. From forging ideas to recording them, can’t imagine any synth getting me there quicker than the DCO-106, while sounding absolutely beautiful along the way.

Eric Levy Keyboard player, Night Ranger

We live in the age of the reissue and 'copycat' synthesizer. What the people at Cherry Audio have done is capture the soul of the Juno-106 and evolve it so it is an everyday part of my creative process. Wonderful.

Michael Whalen Emmy® Award winning film & TV composer, and international recording artist

Love the Cherry Audio products, they went above and beyond with the DCO-106 synthesizer. Top notch!

Fred Bensi Keyboard player, Missing Persons

I played in bands when the first Juno-106 came out and always wanted one, but I never owned one until many years later. Cherry Audio has nailed the 106, plus they’ve added features we could’ve never dreamed of in the original. I’ll be incorporating DCO-106 into my film scores and live shows. I love this instrument, highly recommend!

Mike McKnight Keyboardist, programmer, and music director. Credits include Roger Waters, Mariah Carey, Madonna, Michael Jackson, Whitney Houston, Earth Wind and Fire, George Michael, Paula Abdul, Lady Gaga, U2 and many others on tour and in the studio.

This is so much fun to play with! I think you’ve hit it out of the park! The Juno-106 was my favorite keyboard back in my top 40 days. It had all of the sounds I needed and more. Thank you so much! You turned back the clock to when things were simpler and full of discovery.

Blake Sakamoto Keyboard player, The Nu Wavers, formerly of Animotion and Dan Reed Network

This is quickly becoming a go-to virtual synth for my productions. Great sound, super easy to use, and it has the mojo of the original!

Julian Pollack/J3PO Pianist/keyboardist, producer, and audio engineer. Plays with Marcus Miller, The Lesson GK, and members of Snarky Puppy (Yay Yennings, "Maz," and Chris Bullock)

I can finally stop waking up in the middle of the night weeping with regret because I sold my vintage Juno-106 years ago. This instrument’s sound is beyond authentic. The patches are spectacular. The interface is so intuitive that you can easily tweak any sound to make it your own.

Rick Allen Sound Designer. Credits include projects for Disney, Sony Pictures, HBO, ABC, CBS, American Express, Cartoon Network, Nike, Starz Network, The United Nations, MasterCard, Hewlett Packard, Target, Logitech, and Coca-Cola

By far the most amazing-sounding Juno virtual instrument I’ve ever heard. I’m completely blown away by this. The clarity, stereo field, the recreation of the waveforms and LFO’s and especially the filter textures are dead-on accurate.

Dave Gross Musician and Sound Designer, Helldog Music

I was instantly inspired the second I opened DCO-106 up into my DAW. The sound is fantastic and the additional features such as arpeggiator and effects make this is a next-level 106!

Jason Donnelly (DJ Puzzle) Music composer for TV, film, video games, and software. Credits include ABC's Fresh Off the Boat, CNN's Parts Unknown, Tom Clancy's The Division (video game), and the Saints Row franchise (video game)

I used to get hung up on Hardware vs. Software. Those distinctions don’t apply here. The DCO-106 simply sounds great, feels great and nestles into any mix beautifully.

Eric Larsen Musician, Producer, Video Director