Noise Maker

“This thing wheezes, screams, and has a vibe unlike any other virtual synth I’ve laid my fingers upon! It’s UGLY and beautiful! it’s PHAT and thin in a very funky way! Just like your other VI’s this sounds like hardware, not some lame attempt at recreating a classic synth. WELL DONE!”

“This thing wheezes, screams, and has a vibe unlike any other virtual synth I’ve laid my fingers upon! It’s UGLY and beautiful! it’s PHAT and thin in a very funky way! Just like your other VI’s this sounds like hardware, not some lame attempt at”

“Loving the PS-20! It's not everyday that you find a new plugin that does so many things so well. I started off using it for its deep bass sounds, but then discovered how good it was for pads and other polyphonic sounds. Most recently I've been using it to create soundscapes using the sequencer and the effects. It looks like an MS-20 but there's so much more going on here.”

“Loving the PS-20! It's not everyday that you find a new plugin that does so many things so well. I started off using it for its deep bass sounds, but then discovered how good it was for pads and other polyphonic sounds. Most recently I've been using”

“It's great to see an under-appreciated vintage synth get a makeover. PS-20 is faithful to the original sound and panel layout while adding some great new features - much more comprehensive patching, a handy step sequencer, some basic effects, transport sync, and of course polyphony. I'm impressed!”

“It's great to see an under-appreciated vintage synth get a makeover. PS-20 is faithful to the original sound and panel layout while adding some great new features - much more comprehensive patching, a handy step sequencer, some basic effects,”

“I had been thinking about putting together some components for the Eurorack hardware modular experience, but after playing with the PS-20 and integrating my nakedboards MIDI controllers, I’ve decided to save the $10K and put it toward a trip to Europe instead!”

“I had been thinking about putting together some components for the Eurorack hardware modular experience, but after playing with the PS-20 and integrating my nakedboards MIDI controllers, I’ve decided to save the $10K and put it toward a trip to”

“Ambitious, revealing, daring, and musical. The original Korg team did a magnificent job with the original Korg MS20, inspiring whole landscapes of sound in every genre. The Cherry Audio team have expanded upon the original design and brought it into the future.”

“Ambitious, revealing, daring, and musical. The original Korg team did a magnificent job with the original Korg MS20, inspiring whole landscapes of sound in every genre. The Cherry Audio team have expanded upon the original design and brought it into”

“The PS-20 is a bona fide 'spiritual reimagining' from a parallel universe, setting right what went wrong, and providing fresh modulation and effects possibilities to beef up the badassery. The PS-20 really shines with its full-on polyphony, especially when clean-crisp tones are transformed into cranked-up distorted mayhem.”

“The PS-20 is a bona fide 'spiritual reimagining' from a parallel universe, setting right what went wrong, and providing fresh modulation and effects possibilities to beef up the badassery. The PS-20 really shines with its full-on polyphony,”

“PS-20 is incredible! User friendly with endless possibilities - I am amazed by this product and will use it in the studio as well as on stage. Cherry Audio did it again!”

“PS-20 is incredible! User friendly with endless possibilities - I am amazed by this product and will use it in the studio as well as on stage. Cherry Audio did it again!”

“I’m really pleased with it. The presets are awesome for laying down quick ideas, but the flexibility to dial in a sound seems endless. The tone is super warm and rich, and the plugin plays nicely with other effects that I add on to it.”

“I’m really pleased with it. The presets are awesome for laying down quick ideas, but the flexibility to dial in a sound seems endless. The tone is super warm and rich, and the plugin plays nicely with other effects that I add on to it.”